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Rembrandt van Rijn was an innovative and prolific master draughtsman, painter, and printmaker. However, rather than replicate, Van Gogh sought to translate the subjects and composition through his unique perspective of color and technique. Van Gogh created over 30 artworks that were copies inspired by some of his favorite artists.

While at Saint-Paul asylum, where Van Gogh admitted himself, he explored famous works from renowned artists. Spiritual meaning and emotional comfort were expressed through symbolism and color.Ĭopies of previous masters by Vincent van Gogh form a distinguished group of paintings created by Vincent van Gogh between 1887 and early 1890. Ginoux, in a dress with colorful stripes. Christ is depicted symbolically through the sun to evoke the healing powers of faith. While he also imagined the reaction of two acquaintances from Arles, Mrs. He was identifying with Lazarus in the tomb. Van Gogh seems to be focused on the theme of human suffering. This painting is based on an etching by Rembrandt that Van Gogh’s brother Theo had sent him. The Raising of Lazarus after Rembrandt by Vincent van Gogh (1890) The painter may have seen a parallel between Lazarus’ return from the dead and his struggle from mental illness towards recovery. With his ginger beard, Lazarus bears some resemblance to Van Gogh himself. Prints from other masters inspired Van Gogh during his stay at the hospital in Saint-Rémy, and he made his version of the Raising of Lazarus from an etching by Rembrandt. Lazarus, in the Van Gogh painting below, has a red beard, just like Van Gogh. Van Gogh depiction left out the central figure of Christ with his arm raised he focused on the human suffering and identified with Lazarus in the tomb. Including Van Gogh, who also painted a picture called “The Raising of Lazarus (after Rembrandt),” based on a print of the Rembrandt image. Rembrandt’s paintings have influenced many successive painters. The Raising of Lazarus after Rembrandt by Vincent van Gogh Fortunately, private patronage for them thrived, and Rembrandt tapped into this demand. Thus there were limited public commissions for paintings of biblical subjects. The Dutch Reformed Calvinism at Rembrandt’s time forbade religious art in churches. Rembrandt painted and drew many stories and parables of the Bible as recognizable and familiar images. “The Raising of Lazarus” etching by Rembrandt – 1642 from the Rijksmuseum Museum The glinting highlights of the quiver and scabbard hanging on the wall were Lazarus’ weapons, as according to medieval legend, Lazarus was a soldier. The dramatic darkness of the cave is in contrast to the subtle colors in the costumes. The astounded witnesses’ expressions record successive states of awareness and awe. Lazarus’ sisters Mary and Martha look on in amazement, as do the other spectators. Rembrandt represents Lazarus’s rising as caused by Christ’s forceful gesture and his faith. This scene is in a tomb with Christ standing in the cave with his hand raised to perform the miracle. For the creation of this composition, Rembrandt experimented with drawings and etchings on this subject with differing configurations. “The Raising of Lazarus” by Rembrandt, depicts the scene from the New Testament Bible.